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‘Hiding in Plain Sight’ explores the relationship between staff, space, institution and the visibility of care work, in the disintegrating UK healthcare system.

This solo exhibition continues Kivland’s longstanding enquiry into ‘the material relations between persons and the social relations between things’, following Marx.

This body of work investigates how design research informed by feminist theory and philosophy can facilitate future design ontologies conceived beyond normative patriarchal and capitalist value constructs.

This research explores the subversive potential of reading women, as errancy and transgression, in relation to sexuality and education is explored in work/s structured on the education of women and women as readers.

‘LabStudio: Design Ï㽶ÊÓƵ between Architecture and Biology’ simultaneously challenges and expands contemporary notions of what collaboration across broad knowledge domains means and how that might operate within and then expand the liminal space that exists between laboratory and studio practices.

This research explored how co-design can help to address market failure barriers preventing technology innovation in the field of child prosthetics.

ENTREPRISE DE SÉDUCTION address the complex relations between desire and consumption under capitalism, reconceptualised as the capture and remoulding of desire, figured in the fabrics of Jouy.

Digital technologies in heritage sites and museums are generally understood to be screen-based and more recently applications for the visitors’ phone.

Imagine you were a museum professional and had a toolkit to create interactive installations in a matter of hours rather than months: what would you make?

This research explores how complex technologies can be made accessible to non-technical heritage professionals empowering them to design personalised interactive visitor experiences.