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ENTREPRISE DE SÉDUCTION address the complex relations between desire and consumption under capitalism, reconceptualised as the capture and remoulding of desire, figured in the fabrics of Jouy.

This solo exhibition, realised in three evolving, discrete iterations, addresses questions of role attribution, gender construction, and economic exchange (value forms, after Marx).

The performance work, Of Sound in the Landing Page, was a re-articulation of ‘Thus Spoke Zarathustra’ as a soundscape created from the various elements of the natural world that Nietzsche weaved into his text

‘Artist Substance’ is a quasi-philosophical term Reeve devised to denote a speculative model of art’s ontological operation as a reciprocal relationship between ‘Art’ brought into physical existence and an existential capacity within a human creature that simultaneously becomes activated (‘ontologically carved’) through the non-verbal creation process

Untitled (superorganism) is a video installation commissioned in 2014 for ‘Anthropocene Monument’, an exhibition and symposium-performance curated by Bruno Latour, Bronislaw Szerszynski and Olivier Michelon at L’Abbatoirs Museum of Modern and Contemporary Art in Toulouse.

This research explores the relationship of psychological and cinematic space. The principal output, Unhomely Street, a 20 minute essay film, uses a character in a state of fugue as a strategy to explore attitudes towards capitalism and contemporary society.

The Repository of Irrational Gestures proposes and tests the notion that moving image work and sonic composition can critically investigate and illuminate the turbulent but permeable boundaries that differentiate between ‘rational’ and ‘irrational’ actions, thinking and/or behaviours.

This research investigates what factors are particular to research in the area of the design history of recent technologies, and asks how those factors might be mitigated.

Park Hill Plinths is an ambitious new permanent site-specific public sculpture for the interior landscape of the iconic Brutalist Grade 2* Park Hill estate in Sheffield, the largest listed structure in Europe

Kuannersuit; Kvanefjeld is an art installation, video documentary and evolving online archive which examines the divisive issue of uranium mining in Greenland.